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胡振漢——建國70周年人民功勛藝術家

2019-06-06 09:16:35 來源: 作者: 【 】 瀏覽:254次 評論:0

    胡振漢,現為中華人民美術網理事,中華文化藝術推廣聯合會會員,東方書畫藝術研究會名譽會長,中國當代藝術家協會培訓中心教授,世界華人交流協會客座教授,香港中國國際交流出版社顧問編委,《羲之書畫報·當代藝苑》簽約書畫家,人民美術雜志特邀藝術顧問。書畫作品入編《人民美術雜志》《中國國際新聞雜志》《精品生活雜志》封面人物、《中國書畫藝術典藏》《藝術資訊》《中華龍壇.名家經典》《胡振漢國畫作品集》《藝術品投資參考》《民族之魂書畫家檔案》《驕傲中國·華夏書畫名家典藏》《今日翰墨·中國當代書畫家優秀作品選》《中國藝術家大典》《中國中老年書畫名家經典臺歷》《 羲之書畫報》《盛世風華.當代最具收藏價值名家名作》《藝術中華.名家藝術薈萃》《書畫百年領軍人物》等。自幼酷愛書畫,曾數度參加全國書畫大賽,均獲金獎或一等獎。原任陜西省漢中市預防醫學會秘書長。
    Hu Zhenhan is a director of the People's Fine Arts Network of China, a member of the Chinese Cultural and Art Promotion Federation, honorary president of the Oriental Calligraphy and Painting Arts Research Association, a professor of the Training Center of the Contemporary Chinese Artists Association, a visiting professor of the World Chinese Exchange Association, an advisory editor of the Hong Kong China International Exchange Publishing House, a contracted painter of Xizhi Calligraphy and Painting Newspaper Contemporary Art Garden, and an invited artist of the Consultant. Calligraphy and painting works are included in the cover figures of People's Art Magazine, China International News Magazine, Quality Life Magazine, Chinese Calligraphy and Painting Art Collection, Art Information, Chinese Dragon Tan, Classics of Famous Artists, Hu Zhenhan's Collection of Traditional Chinese Paintings, Art Investment Reference, Archives of Calligraphers and Painters of National Soul, Pride China, Chinese Calligraphers and Paintings Collection, Today's Hanmu China Selection of Excellent Works of Contemporary Calligraphers and Painters, Chinese Artists'Dadian, Classic Calendar of Chinese Middle-aged and Old-aged Calligraphers and Painters, Yizhi Calligraphic and Painting Newspaper, Sheng Shi Fenghua, Contemporary Most Collective Value Masterpieces, Art China, Art Collection of Masterpieces, Leaders of Calligraphic and Painting in 100 Years, etc. Since childhood, he liked painting and calligraphy. He participated in several national painting and calligraphy competitions and won gold or first prize. Former Secretary-General of Hanzhong Preventive Medicine Association of Shaanxi Province.
劉文西對胡老師的評價:
    胡振漢的花鳥畫。文化意蘊厚重而表象輕靈,筆墨華滋,渾然天成,墨氣淋漓,瀟灑清新,厚實靈動,相映成趣。而且他在繪畫上山水,花鳥作品都有涉獵,在山水畫上可以看出他很有氣魄,大手筆,畫出來畫氣勢恢宏,而且善于把握筆墨韻致,在繪畫過程中,筆勢飛揚,墨色淋漓。使其畫作既有傳統文人畫的古法,又融入個人感悟。胡振漢先生每一幅畫所做的布局和立意都一絲不茍,思考良多。深厚而有變化,不知不覺間他精心構建著屬于自己的藝術程式。一葉一花的意境,一枝一叢的韻味,無不顯示著胡振漢先生平淡而不俗的眼界與胸襟。
作為畫家,他深知自己的使命與責任,他以現代人的自覺意識認識到生命形式的更替,藝術的樣式,風格不能不變。生命形態的變化,決定了藝術形式,風格的轉換。因此,望胡振漢先生引領的中國傳統文化又不斷探尋屬于自己的心靈的筆墨。他走出了某些傳統局限,正在向新的藝術高峰攀登。
Liu Wenxi's comments on Mr. Hu:
    Hu Zhenhan's flower and bird paintings. The cultural implication is heavy and the image is light and spiritual, the brush and ink are beautiful, natural and vivid, fresh and natural, thick and flexible, and interesting to each other. Moreover, he dabbled in landscape painting, flower and bird works. In landscape painting, we can see that he has great courage, big brush, painting momentum is magnificent, and good at grasping the charm of the brush and ink. In the process of painting, the brush is flying and the ink is vivid. Make his paintings not only have the ancient method of traditional literati painting, but also incorporate personal perception. Mr. Hu Zhenhan's layout and intention of each painting are meticulous and thoughtful. Deep and varied, he unconsciously carefully constructed his own artistic program. The artistic conception of one leaf and one flower and the charm of one cluster all show Mr. Hu Zhenhan's plain and vulgar vision and mind.
As a painter, he is well aware of his mission and responsibility. With the conscious consciousness of modern people, he realizes that the change of life form, the style and style of art can not be changed. The change of life form determines the transformation of art form and style. Therefore, the traditional Chinese culture led by Mr. Hu Zhenhan is constantly exploring the pen and ink belonging to his own mind. He has stepped out of some traditional limitations and is climbing to a new artistic peak.


胡振漢作品

胡振漢作品

色不礙墨生華輝  博觀約取修全能——記著名畫家胡振漢
 

    中國畫的審美核心,是追求氣韻生動的心源體驗。把自然物象的客觀存在,經由主觀心化之后,經由筆墨渲染,醞釀出悅目動心的氣韻,讓人醉賞流連,這是當代著名畫家胡振漢先生的丹青法度,也是業已成功的專業造詣。他的中國畫,以宋元文人畫的積淀為根源,法取正宗,功成龍脈,在傳承與創新的道路上,博觀約取,攀越上渾厚華滋,色不礙墨,盡得氣韻的境界高度,成為當代畫壇諸題精湛的賢才典范。
 
    水、墨、彩的顧映與融合,可以說是中國畫的獨特技法秘籍,也是中國山水、花鳥表達意像品格的主要手段。匠工山水不能通諳水墨彩的哲學關系,所以水不諧墨,墨不容色,要么對立不和,要么渾然不分,無法達成山水創作寫意傳神的哲學高度,只有制作范式的呆與板。所在,我們從市面上看到的山水畫,多是制作出來的俗品,并不是中國山水的正宗形觀氣韻。要想看中國山水的真品真韻,還得走進胡振漢先生山水系列,從中感觸山有骨,水顯逸,云蒸霞蔚,蒼桿勁枝的意象之妙。


胡振漢作品

胡振漢作品

胡振漢作品

    他作山水,善以水為器,以墨為道,以彩通構氣韻,對“水”的至簡屬性了然指掌,對水利萬物而不與之爭的哲學內涵通諳深刻,所以他勾兌水墨,就是水墨之伯樂,干濕濃淡焦五色生輝僅僅是略說,干又因水的巧變,有無數種干法,濕又因水的流變,又有無數種濕法,再加上青綠金碧色彩的和諧介入,一致達成色不礙墨,墨不礙色,相間相融的層次分明,總是意傳山水神,綜制氣韻風,高古唯美,渾厚華滋。水、墨、彩的鋪陳之法,被他應用到駕輕就熟,無所不能渲染的,渲染必得氣韻的境界。


胡振漢作品

胡振漢作品

    寫意花鳥是他功立于當代畫壇的又一項非凡造詣。鷹立崖峰,威而剛正,如不是款識有別,很容易誤認為是李苦禪大師的杰作。畫牡丹用色潑辣,施筆立骨,形有質感,神有意象,雙佳塑造,雍容華貴,卻是艷而不俗,筆墨致雅,完全是跳出了俗筆畫牡丹,艷而流俗的舊弊,成為牡丹清新一派的開創者。


胡振漢作品

胡振漢作品

    在師法今人的過程中,他吸取李苦禪的剛勁果敢的筆墨技法,也注意吸取齊白石兼工帶寫的傳神奇能。比如喜慶豐收這幅作品,枇杷寫意筆墨入神,工筆襯畫螞蚱覓秋露,栩栩如生,兼工帶寫的全能才華,一目了然。這不由得當人想起了齊白石當年畫十二蟲譜圖,為了一堵眾人謂之只會寫意,不事工筆的悠悠之口,齊白石以小蟲工筆表現寫實絕能,結果十二蟲冊頁一經面世,京華盡服,皆言齊白石果然有妙在似與不似之間的寫意水準,也有精致畫具像不曾欺世的工筆核能!看過這幅喜慶豐收圖,就會發現,畫不欺人,亦不欺世的境界在胡振漢先生這里也是卓越的建樹!
 
    色不礙墨生華輝,博觀約取修全能。他的丹青作品,無一例外,都具有馨香可嗅的書卷氣,帶著傳統文人畫的極致魅力陶冶人心。畫馬師悲鴻,水墨內涵與結構精確綜構成奮蹄進取的精神氣。畫竹師東坡,月影蕭蕭凌云,河漢朗朗悅目。骨法畫梅,傲雪迎春,蒼茫流麗,大道正氣。更為可觀的是畫葡萄,晶澤剔透,一粒葡萄一天地,不但有可觸可碰的質感,并且實有空間感,介入了超強的寫實能力,成為筆墨寫意卻兼鑄實質的典范,對于當下繪畫審美趨向超寫實的時代潮流,他用自己卓越的筆墨表現形式,回答了這樣一個課題:水墨超寫實,不輸油畫筆,并且韻勝一層,意滿十分!都說葡萄一題在徐渭,其實胡振漢同樣是雄才!
                             藝術評論家  楊振明  2019年6月

 

 
胡振漢作品

胡振漢作品

胡振漢作品

胡振漢作品

胡振漢作品

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